Wednesday 6 July 2016

Comparative Aesthetics II

                                                              

This course introduces students to the study of aesthetics, or the relationship between art, beauty and taste. The second in a two-part paper, this course  deals with an array of Indian thinkers on aesthetics and also introduces contemporary scholarship on Indian aesthetics. Students are expected to develop the competence to read and understand philosophical texts and equally importantly apply their understanding deriving from such readings in the actual circumstances of dealing with art and the aesthetic experience in their everyday life. The course has arranged these texts in the form of a debate spanning across many cultures and centuries. Therefore, it is important for the student to perceive the continuities and discontinuities in thinking about aesthetics that are apparent in the two traditions that are being examined here.


  • Unit 5: Indian Aesthetics
    • Bharatamuni, On natya and rasa, from Natyashastra
    • Dandin, Sarga Bandha, Epic Poetry, from Kavyadarsha
    • Anandavardhana, Dhvani, The Structure of Poetic Meaning, from Dhvanyaloka
    • Kuntaka, Language of poetry and Metaphor from Vakrokti Jivita
    • Abhinavagupta, On Shanta rasa Aesthetic Equipoise from Abhinavabharati
    • Amir Khusrau Multilingual Literary Culture, From Nuh Siphir
  • Unit 6: Indian Aesthetics Reconsidered
    • Raniero Gnoli On some expressions used in Indian Aesthetics
    • K Krishnamoorthy Sanskrit Poetics: An Overview in “Indian Literary Criticism” G N Devy (Ed)
    • V. K. Chari, The Genre Theory in Sanskrit Poetics in “Literary India Comparative Studies in Aesthetics, Colonialism, and Culture” by Hogan and Pandit (Eds)
    • Pravas Jivan Chaudhury The Theory of Rasa
    • Richard Schechner Rasaesthetics
    • Vidya Niwas Misra Sanskrit Rhetoric and Poetic
    • Kathleen Marie Higgins An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs
    • V. K. Chari The Indian Theory of Suggestion (dhvani)                    
    • Franklin Edgerton Indirect Suggestion in Poetry: A Hindu Theory of Literary Æsthetics
  • Unit 7: Comparative Aesthetics
    • Ananda Coomaraswamy, The Christian and Oriental, or the True philosophy of Art  in “Christian and Oriental Philosophy of Art”
    • Eliot Deutsch, Reflections on Some Aspects of the Theory of Rasa, Studies in Comparative Aesthetics
    • Roshni Rustomji "Rasa" And "Dhvani" In Indian and Western Poetics and Poetry
    • Edwin Gerow, Rasa and Katharsis: A Comparative Study, Aided by Several Films
    • Chantal Maillard, The Aesthetic Pleasure of Tragedy in Western and Indian Thought, in “The Pursuit of Comparative Aesthetics”

2 comments:

  1. just ran into your blog while searching for something in aesthetics and am completely confused as to what is the aim of your blog. to inform people about courses across the world or what? to guide them with admissions? if yes, what universities offer them? where are the details?

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    1. It began with the aim of getting people to dump their curricula ​in one place. That way, it would help people devising new curricula to look up for examples and models. Would love to resuscitate it at some point, with help from like minded people.

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